如需提醒管理員添加該視頻請點擊 留言 ,謝謝!
提示(如果搜索詞錯誤也將無法搜到,可嘗試簡化搜索詞)
演員:戴布思·格里爾 馬歇爾·湯普森 安·多蘭 Thom·Carney 保羅·蘭頓 理查德·貝內迪克特 伯特史蒂文斯 羅伯特·拜斯 雷·科里根 皮埃爾·沃特金斯 Shirley·Patterson
導演:愛德華·卡恩
劇情:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
演員:湯姆·漢克斯 大衛·摩斯 邁克·克拉克·鄧肯 邦尼·亨特 詹姆斯·克倫威爾 邁克爾·杰特 格雷厄姆·格林 道格·休切遜 山姆·洛克威爾 巴里·佩珀 傑弗裡·德曼 派翠西婭·克拉克森 哈利·戴恩·斯坦通 戴布思·格里爾 伊芙·布倫特
導演:弗蘭克·德拉邦特
劇情:獄監保羅(湯姆•漢克斯 Tom Hanks 飾)這天迎來了一位不平凡的殺人犯――約翰•考夫利(邁克•克拉克•鄧肯 Michael Clarke Duncan 飾)。約翰因殺了兩名幼女被判死刑來到了這座著名的冷山監獄,監獄裡有一片稱為“綠裡”的綠地,綠地那頭就是刑場。 約翰不僅不像想象中的兇殘,相反,他出奇的溫厚、機智。約翰的到來給獄中的各人帶來了天翻地覆的變化:為老囚犯特里沃的小老鼠注入了生命的強度,給特里沃最後的人生帶來最後的慰籍;神奇的拯救了被病痛折磨的保羅和馬琳達;將金保斯從死神手中拉了回來……保羅這些天也從約翰身上看到了人生的真諦。 約翰行刑的那天終於到了。
演員:格雷斯·李·惠特尼 保羅·皮切爾尼 戴布思·格里爾 查爾斯·布朗森 Jack·Kenny 文森特·普萊斯 卡羅琳·瓊斯 羅伊·羅伯茨 格蘭丁·羅德 奧利弗布萊克 安吉拉·克拉克 內德里克·揚 Lyle·Latell 弗蘭克·弗格森 Riza·Royce Philip·Tonge 保羅·卡瓦納 Eddie·Parks 菲莉絲·柯克 弗蘭克·洛夫喬伊 雷吉·雷馬爾 傑克·莫厄爾 Jack·Wise Jack·Woody Leo·Curley
導演:安德烈·德·托特
劇情:傑羅德·亨利教授(文森特·普萊斯 Vincent Price飾)是一名醉心藝術的雕刻藝術家,他的每件蠟像雕塑都栩栩如生。他一直潛心鑽研歷史上的著名人物形象,尤其鍾愛法王路易十六的王后瑪麗·安託瓦內特。...
演員:文森特·普萊斯 弗蘭克·洛夫喬伊 菲莉絲·柯克 卡羅琳·瓊斯 保羅·皮切爾尼 羅伊·羅伯茨 安吉拉·克拉克 保羅·卡瓦納 戴布思·格里爾 查爾斯·布朗森 雷吉·雷馬爾
導演:安德烈·德·托特
劇情:傑羅德·亨利教授(文森特·普萊斯 Vincent Price飾)是一名醉心藝術的雕刻藝術家,他的每件蠟像雕塑都栩栩如生。他一直潛心鑽研歷史上的著名人物形象,尤其鍾愛法王路易十六的王后瑪麗·安託瓦內特。然而他的生意合作伙伴馬修·伯克(羅伊·羅伯茨 Roy Roberts飾)卻因為傑羅德經營蠟像院收益不佳而大為不滿。為了更快的收取錢財,喪心病狂的馬修燒燬了整座蠟像館,包括所有傑羅德視如珍寶的蠟像雕塑。火災之後,傑羅德葬身火海,神秘地失蹤了,而馬修則如願得到了大筆保險金。 18個月後,傑羅德竟然奇蹟般地“復活”了。不僅如此,傑羅德還舉辦了一次全新的藝術展覽,一場以死亡暴力為題,令人毛骨悚然的血腥之展。蘇·艾倫(菲莉絲·柯克 Phyllis Kirk飾)本是一名普通的美麗女孩,剛剛成為傑羅德的新任助理。可隨著她的好友離奇被殺之後,蘇的生活開始變得危險而不安。...