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演員：魯道夫·瓦倫蒂諾 Rex Cherryman 亞瑟·霍伊特 澤菲·蒂爾伯裡 帕奇·魯斯·米勒 Elinor Oliver 威廉·奧拉蒙德 Consuelo Flowerton 艾拉·娜茲莫娃 愛德華·康奈利
導演：雷·C·斯莫伍德
劇情：阿爾方斯妮（葛麗泰·嘉寶 Greta Garbo 飾）本是一位出生在偏僻小村莊裡的窮苦姑娘，被貪婪的父親賣給了商人，之後一路輾轉顛沛流離來到了繁華的大都市巴黎。憑藉著迷人的美貌和過人的智慧，阿爾方斯妮一舉成為了巴黎上流社交圈內的交際花，整日生活在荼蘼的燈紅酒綠之中，人們送給了她“茶花女”的美譽。紙醉金迷的生活迅速的消耗了阿爾方斯妮的健康，使她患上了肺病，善良的公爵因為阿爾方斯妮酷似她不久之前去世的女兒，而對她伸出了援手。 一次偶然中，阿爾方斯妮邂逅了作家小仲馬（羅伯特·泰勒 Robert Taylor 飾），情不自禁的墜入了情網。然而，兩人的經歷和身份懸殊實在巨大，這段感情將註定不會有一個圓滿的結局。
演員：艾拉·娜茲莫娃
導演：查爾斯·布萊恩特 艾拉·娜茲莫娃
劇情：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.