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演員:Perry Dizon 安吉爾·阿基諾 巴特·金戈納 Hazel Orencio Betty Uy-Regala Roeder 喬爾·託雷 安吉莉·芭雅妮 Soliman Cruz Modesta Dante Perez Noel Miralles Kim Perez
導演:拉夫·迪亞茲
劇情:A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.
演員:未知
導演:Mario O'Hara
劇情:Mario O’Hara’s “Demons” (Pangarap ng Puso, 2000) is about a pair of young lovers, Nena (Matet de Leon) and Jose (Alex Alano), doing their best to live and love in an increasingly hostile world. Nena (a lovely child grown into lovely young woman, giving a surprisingly lovely performance) is from a rich family in the Negros provinces that owns a series of fishponds; Jose is from one of many poor families commissioned to clean and operate those fishponds. The film traces their relationship as it develops through the years, from childhood into adulthood, from prosperity into deep recession, from a time of peace into a time of violent political turmoil. Nena and Jose’s reactions to that turmoil is complex–steeped all their lives in Negros mythology, they gradually equate present-day rebels and corrupt army officers with the demons and monsters of their youth. They reply in a number of ways, each according to his or her nature: through political protest, civil activism, armed rebellion, even the composition and recitation of some (very beautiful) Filipino poetry.