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演員：弗雷德·阿斯泰爾 麗塔·海華斯
導演：威廉·A·塞特爾
劇情：埃德瓦多（阿道夫·門吉歐 Adolphe Menjou 飾）有三個可愛的女兒，她們分別是瑪利亞（麗塔·海華斯 Rita Hayworth 飾）、西西（萊斯利·布魯克斯 Leslie Brooks 飾）和麗塔（阿黛爾·瑪拉 Adele Mara 飾）。其中瑪利亞的樣貌尤其的美麗，因此周圍有許多的狂蜂浪蝶拜倒在她的石榴裙下，導致瑪利亞看男人的眼光十分的挑剔，總是幻想著能夠邂逅完美的愛情。 眼看著瑪利亞的年紀越來越大，心氣越來越高，埃德瓦多有些坐不住了，他捏造了一位瑪利亞的追求者，向瑪利亞發起了熱烈的攻勢。巧合的是，與此同時還有一位舞蹈家也在熱烈追求著瑪利亞，瑪利亞誤將他認成了父親捏造的追求者，兩人在陰差陽錯之下開始交往。
演員：艾琳·鄧恩 弗雷德·阿斯泰爾 金傑·羅傑斯 蘭道夫·斯科特
導演：威廉·A·塞特爾
劇情：John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
演員：艾娃·加德納 羅伯特·沃克
導演：威廉·A·塞特爾 格雷戈裡·拉·卡瓦
劇情： One Touch of Venus (1948) is a film directed by William A. Seiter, starring Robert Walker and Ava Gardner, released by Universal Studios, and based on the Broadway musical of the same name written by Kurt Weill. However, the film omits most of Weill's music and thus got poor reviews. In 1945, Mary Pickford announced that she would produce a film version of this musical with the Broadway cast, including Mary Martin, filmed in Technicolor, directed by Gregory La Cava, and released by United Artists. However, Martin got pregnant and Pickford sold the rights to Lester Cowan at Universal in August 1947. Ann Ronell, Cowan's wife, wrote the additional music that replaced much of Weill's material.