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演員：托馬斯·梅甘 葛洛麗亞·斯旺森 西奧多·羅伯茨 雷蒙德·哈頓 Robert Cain 莉拉·李 貝比·丹尼爾斯 茱莉亞·法耶 Rhy Darby Mildred Reardon Mayme Kelso Edmund Burns 亨利·伍德沃德 Sydney Deane 韋斯利·巴里 Edna Mae Cooper Lillian Leighton 蓋·奧利弗 Clarence Burton Lawson Butt Kamuela C. Searle
導演：塞西爾·B·戴米爾
劇情：Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person.
演員：Greta Almroth Arvid Dahlberg 約翰·埃克曼
導演：莫里茲·斯蒂勒
劇情：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
演員：薩姆·德·格拉斯 Francelia Billington 埃裡克·馮·施特羅海姆 Fay Holderness Richard Cumming
導演：埃裡克·馮·施特羅海姆
劇情：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
演員：卡爾·德福格特 雷塞爾·奧爾拉 格奧爾格·約翰
導演：弗裡茨·朗
劇情：In San Francisco, the sportsman Kay Hoog tells to the members of a club that he has found a message in a bottle with a map from a Harvard's missing professor telling about a treasure of an Inca lost civilization still alive. He decides to go to Peru to seek the gold. However, members of the secret criminal organization The Spiders leaded by Lio Sha break in Kay's mansion during the night and steal the map. Kay Hoog travels to Peru, where he retrieves his map and a document about the Diamond Ship from The Spiders. Later he saves the Priestess of the Sun Naela and brings her to San Francisco. However, The Spiders kill Naela and Kay Hoog promises revenge for the death of his love
演員：未知
導演：D.W. Griffith
劇情：After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The first of the two was 'The Fall of Babylon', which depicts the conflict between Prince Belshazzar of Babylon and Cyrus the Great of Persia.
演員：麗蓮·吉許
導演：大衛·格里菲斯
劇情：中國青年程桓（理查德·巴塞爾梅斯 Richard Barthelmess 飾）遠赴倫敦，希望能夠在異國他鄉傳授佛教教義。哪知道理想豐滿現實殘酷，抑鬱不得志的程桓不僅荒廢了事業，還沾染上了鴉片，整日生活在頹廢沮喪之中。 一次偶然中，程桓邂逅了名為露絲（麗蓮·吉許 Lill ian Gish 飾）的美麗女孩。露絲有著極為悽慘的身世，她的父親巴汀（唐納德·克里斯普 Donald Crisp 飾）是一名個性兇殘的酒鬼，常在喝得酩酊大醉之後對露絲大打出手。同樣悲慘的遭遇讓兩顆孤獨的心越靠越近，終於，不堪忍受父親折磨的露絲離家出走，程桓收留了她。好景不長，巴汀很快就找到了露絲的蹤跡，將她強行帶回了家，等待著露絲的，將是又一輪如同狂風暴雨一般的折磨。
演員：Romuald Joubé Séverin-Mars Maryse Dauvray
導演：阿貝爾·岡斯
劇情：第一次世界大戰敲響二十世紀的第一記警鐘，從國際佈局、人文精神到文藝和電影，都深受震撼和啟發。阿貝爾岡斯透過三個人的愛情和友誼，反抗戰爭的風暴，並呈現面對國家和戰爭的思想矛盾，叩問人性和文藝的價值。悲壯的結局，飽含失落與不斷戰勝失落的願望，正是影片不衰的意義。岡斯終生熱衷於敘事和影像實驗，風格今天看來依然前衛先鋒。本片與其後的《拿破崙》（1927）同為岡斯的鉅構，技法多樣而熱情，拓展了電影的藝術語言。
演員：麗蓮·吉許 羅伯特·哈倫 Wilbur Higby Loyola O'Connor 喬治·福西特 克拉林·西摩 凱特·布魯斯 卡羅爾·戴姆斯特 Raymond Cannon
導演：D·W·格里菲斯
劇情：Susie, a plain young country girl, secretly loves a neighbor boy, William. She believes in him and sacrifices much of her own happiness to promote his own ambitions, all without his knowledge. Eventually he rises to a position of success and sophistication, and Susie realizes that she has through her own efforts raised him to a level where he is inaccessible to her.
演員：查理·卓別林 艾德娜·珀薇安絲
導演：查理·卓別林
劇情：卓別林（查理·卓別林 Charles Chaplin 飾）把家安排妥當後，要帶領全家外出遊玩，準備輕鬆愉快的度過一天的假期。他開著搖搖晃晃的小車帶著妻子跟兩個兒子出發了，要乘船時他為了免費抱著兩個兒子過了檢票口坐上了船，在船上卓別林的舉止動作十分幽默滑稽讓人啼笑皆非，他跳著歡快的舞步直到暈頭轉向。想放下摺疊躺椅休息一下，急的滿頭大汗卻笨手笨腳地連個椅子都搞不定。又因為暈船躺在別人老婆的腿上，招來了一頓胖揍。下船後他開著車在路口又遭遇交通警察的攔截，最後誤打誤撞竟用瀝青把兩個交警粘在了大馬路上。真是快樂又充實的一天啊。
演員：Josefine Dora Victor Janson Marga K?hler
導演：恩斯特·劉別謙
劇情：一部給低估了的傑作，鑑於前作被指離經叛道，劉別謙改拍童話式故事，拍出令德國人瞠目結舌的格調與清新幽默感，論者認為它比《卡里加里醫生的密室》更應名垂青史（兩片其實是雙生兒，只是主角一個作惡一個行善）。不肯成長的男孩被叔父強迫娶妻，玩具大王借女兒的模樣造出機械公仔，演出一幕騙婚記，但竟弄假成真。幕開只見我們的導演跑出來，用紙板砌出人與物，接著疊現真實畫面。戲演下去，所有場景透視詭異，道具有時索性繪在牆上。全片優美且自由奔放，活像頑童開心炮製的藝術品。值得一看的還有德國默片女星奧茜奧華黛的傳奇身影。 Proceeding The Cabinet of Dr Caligari by one year, this is both vintage early Lubitsch with its sly slapstick and Rabelaisian ...