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演員：詹姆斯·斯圖爾特 約翰·道爾 法利·格蘭傑 塞德里克·哈德威克
導演：阿爾弗雷德·希區柯克
劇情：博蘭頓（約翰•達爾John Dall 飾）和菲利普（法利•格蘭傑 Farley Granger 飾）都是哈佛的高才生，一天，都是同性戀的兩人合謀殺害了同學戴維，並藏屍於一個大箱子中。或許是出於炫耀，他們做出了一個驚人的舉動。那就是用裝著戴維屍體的箱子當餐桌，邀請了戴維的父母、未婚妻、同學和茹伯特教授（詹姆斯•斯圖爾特 James Stewart 飾）來赴宴。他們謊稱戴維外出了，和客人們在戴維的“棺材”上進行著宴會。膽小的菲利普從宴會開始就開始坐立不安，但是博蘭頓卻不慌不忙，在客人中滔滔不絕。然而，聰明的茹伯特教授從博蘭頓的談話中漸漸察覺出事有蹊蹺……
演員：芭芭拉·斯坦威克 伯特·蘭卡斯特 安·理查茲
導演：安納托爾·李維克
劇情：萊昂納（芭芭拉·斯坦威克 Barbara Stanwyck 飾）是銜著金湯匙出生的富家千金，因為她的神經非常的脆弱纖細，導致她只能整日臥病在床，和外界唯一的聯繫就是一臺電話。這一天，萊昂納的丈夫亨利（伯特·蘭卡斯特 Burt Lancaster 飾）遲遲沒有到家，於是萊昂納想要打個電話到亨利的辦公室裡找他。哪知道電話串了線，萊昂納聽到電話那頭的兩個陌生男人正在謀劃如何殺害一個無辜的女人。 又驚又怕的萊昂納決定拯救這個女人的性命，於是她拿起了自己唯一的武器——電話。然而，當萊昂納打電話將自己的所見所聞告訴警察時，卻並沒有人願意相信她。更糟的是，兩名兇手似乎也知道了萊昂納的存在。
演員：艾達·盧皮諾 柯納·王爾德 理查德·威德馬克
導演：讓·尼古拉斯科
劇情：Jefty, owner of a roadhouse in a backwoods town, hires sultry, tough-talking torch singer Lily Stevens against the advice of his manager Pete Morgan. Jefty is smitten with Lily, who in turn exerts her charms on the more resistant Pete. When Pete finally falls for her and she turns down Jefty's marriage proposal, they must face Jefty's murderous jealousy and his twisted plots to punish the two.
演員：克利夫頓·韋伯 瑪琳·奧哈拉 羅伯特·楊
導演：沃爾特·朗
劇情：哈里（羅伯特·楊 Robert Young 飾）同妻子與三個孩子居住在風景宜人的郊區，繁忙的工作讓他無暇照顧孩子們，面對三個整天調皮搗蛋的臭小子，哈里的妻子（瑪琳·奧哈拉 Maureen O'Hara飾）亦感到力不從心，請一位能夠幫忙又不會添麻煩的保姆似乎成為了哈里唯一的選擇，就這樣，一個名叫貝爾維德爾（ 克利夫頓·韋伯 Clifton Webb飾 飾）的人成為了保姆的最終人選。 直到貝爾維德爾入駐哈里的家中之後，哈里才發現，這個表面看來溫柔的人其實是一個怪人，但是，神奇的是，他用不知道是哪門子的怪招，竟然將哈里的三個兒子給管教得服服帖帖，這讓哈里不得不服。隨著時間的推移，外界開始有了一些關於貝爾維德爾的不堪傳言，這些傳言究竟是不是真的呢？
演員：巴德·阿伯特 盧·科斯特洛 小朗·錢尼 貝拉·盧戈西
導演：查爾斯·巴頓
劇情：查爾斯·巴頓導演的一部恐怖影片。故事講述兩名鐵路工友負責運送一些大木箱，後來打開一看，裡面裝著的赫然是科學怪人的怪物、吸血殭屍，以及狼人。本片的恐怖氣氛處理得相當出色，貝拉·盧高西扮演他一向擅長的德古拉伯爵，小朗·錢尼扮演狼人，都有精彩演出。雖然片中笑料不多，但本片卻是兩傻片集中拍攝最好的一部。
演員：瓊·芳登 詹姆斯·斯圖爾特 埃迪·艾伯特
導演：H·C·波特
劇情：Indecisive heiress Dee Dee Dillwood is pushed into marrying her sixth fiancée, but unable to face the wedding night, she flees into the adjacent hotel room of commercial pilot Marvin Payne, who just wants to sleep. Somehow, she persuades him to take her to California. Her fellow passengers include a chimpanzee, a corpse (in a coffin), an absconding embezzler, and two smoochy newlyweds. Can love be far behind
演員：威廉·鮑威爾 安·布萊思 艾琳 赫維 安德麗·金
導演：歐文·皮切爾
劇情：As told to a psychiatrist Mr. Peabody, middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in the vicinity, he catches...a mermaid. He takes her home and, though she has no spoken language, falls in love with her. Of course, his wife won't believe that thing in the bathtub is anything but a large fish. Predictable complications follow in rather tame fashion.
演員：約翰·霍華德·戴維斯 羅伯特·牛頓 亞歷克·吉尼斯 凱·沃爾什 拉爾夫·杜魯門
導演：大衛·裡恩
劇情：奧利弗（約翰·霍華德·戴維斯 John Howard Davies 飾）一出生就被拋棄，在孤兒院生活了九年之後，他被送到了棺材鋪當學徒。無法忍受苦不堪言的生活，奧利弗從師傅的身邊逃跑來到了巴黎，在那裡，他結識了扒手法欽（亞利克·基尼斯 Alec Guinness 飾）。就這樣，奧利弗被迫開始了自己的扒手生涯。 一次偶然中，奧利弗被警察逮捕，所幸得到了好心的老先生布萊羅（亨利·斯蒂芬森 Henry Stephenson 飾）收留，一輩子顛沛流離的奧利佛總算體會到了家的滋味。不幸的是，扒手團伙卻不願意放過奧利弗，他們綁架了他，其中，一個名叫南希（Kay Walsh 飾）的女孩對奧利弗心生惻隱，她決定不惜違抗老大的命令，儘自己所能幫助這個可憐的孩子。
演員：索尼婭·德雷斯戴爾 沃爾特·菲茨傑拉德 Emrys Jones Scott Forbes Barbara White
導演：Tim Whelan
劇情：在外人看來，拉塞爾一家是完美的模範家庭，家境富裕，夫妻和睦，兒女出色，幾乎毫無任何缺點，然而身為女家長的西爾維婭·拉塞爾（Sonia Dresdel）實際是一個冷酷無情、渴望權力、控制慾爆棚的女人，她想盡各種辦法將自己的丈夫亞瑟（Walter Fitzgerald）、兒子特里（Emrys Jones）以及女兒費內拉（Barbara White）玩弄於鼓掌之中。她因為不滿意丈夫的平庸無能，使盡各種手段不著痕跡地羞辱丈夫，並且摧毀丈夫所有的心愛之物。由於不滿女兒不經她的許可就嫁給瓦倫廷·克里斯蒂醫生（Scott Forbes），她慫恿自己家的年輕女僕艾菲（Celia Lipton）去勾引女婿，以達到破壞女兒婚姻的目的。特里是全家唯一一個察覺到母親的蹊蹺之處的人，他雖想要保護自己的妹妹和父親，卻未料到母親的狠毒程度遠超他的想象。
演員：奧遜·威爾斯 珍妮特·諾蘭 丹·奧赫裡奇
導演：奧遜·威爾斯
劇情：將軍麥克白（奧遜·威爾斯 Orson Welles 飾）跟隨國王鄧肯（Erskine Sanford 飾）南征北戰，是後者最信賴的所在。某日，麥克白又贏得了一場戰爭，在歸國的途中遇見了三個女巫，女巫們預言麥克白即將進官加爵，甚至可以帶上王冠繼承王位。然而，麥克白的繼位者卻並非他的孩子，而是他的好友班柯將軍（Edgar Barrier 飾）的兒子。 這一預言在麥克白的內心裡蒙上了陰影，在妻子麥克白夫人（Jeanette Nolan 飾）的慫恿之下，麥克白殺死了鄧肯，將罪責傢伙在兩個守衛的身上。之後，他又將班柯和麥克德夫夫人（Peggy Webber 飾）一一殺害。在此過程中，雙手沾滿鮮血的麥克白，他的精神也瀕臨著崩潰的邊緣。
演員：瓊·芳登 伯特·蘭卡斯特 羅伯特·牛頓
導演：諾曼·福斯特
劇情：Bill Saunders, disturbed ex-soldier, kills a man in a postwar London pub brawl. Fleeing, he hides out in the apartment of lonely nurse Jane Wharton. Later, despite misgivings about his violent nature, Jane becomes involved with Bill, who resolves to reform. She gets him a job driving a medical supplies truck. But racketeer Harry Carter, who witnessed the killing, wants to use Bill's talents for crime.
演員：志村喬 三船敏郎 山本禮三郎 木暮實千代 中北千枝子 千石規子 笠置靜子 進藤英太郎 清水將夫 殿山泰司 久我美子 飯田蝶子 生方功 谷晃 堺左千夫 大村千吉 木匠久美子 杉葉子
導演：黑澤明
劇情：戰敗後的日本，真田（志村喬飾）是名喜歡喝酒的貧民社區醫生，他擅長治療肺結核。一天黑社會頭目松永（三船敏郎飾）由於手上受傷找他治療，誰知被真田看出了肺結核的症狀。他勸松永去照X光檢查一下，可松永不願接受自己生病的事實，反而大罵真田一通並爭執起來。但是松永回去以後症狀越來越嚴重，拍片後證實確實是肺結核，嘴上逞強的他還是接受了真田的治療。 然而，松永的黑社會大哥岡田（山本禮三郎飾）從監獄裡出來，他逐漸取代松永在黑幫裡的位置並擁有了一切，病入膏肓的松永只能孤注一擲……
演員：宇佐美淳 山村聡 原節子
導演：大庭秀雄
劇情：A ship carrying a band of black-marketeers, including a beautiful woman, eludes police after a battle at sea and lands on a remote island where a marine meteorological observatory is stationed. They take over the observatory but tragedy ensues as a violent typhoon approaches the island.
演員：未知
導演：尹大龍
劇情：Synopsis Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate! A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime. Notes A silent movie that allows us to examine the narrator-accompanied method of 16mm films (Chung Jong-wha) A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as byeonsain Korean). Numerous critics have recommended the film, praising it as a silent movie that allows us to examine the narrator-accompanied method of 16mm films (Chung Jong-wha), the work of Korea's last silent movie narrator (Kim Hong-joon), a movie that reflects the public's consciousness and has great historical value (Lee Seung-hun), and the archetypal new-school film (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or talkies) had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself. Afterword - Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
演員：Artúr Somlay Miklós Gábor Zsuzsa Bánki
導演：Radványi Géza
劇情：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
演員：雷·米蘭德 安·託德 傑拉丁·菲茨傑拉德
導演：劉易斯·艾倫
劇情：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
演員：Moira Shearer 安東·沃爾布魯克 萊奧尼德·馬賽因
導演：邁克爾·鮑威爾 艾默力·皮斯伯格
劇情：佩吉（莫伊拉·希勒 Moira Shearer 飾）是一名很有天賦的芭蕾舞演員，她對芭蕾舞的熱愛讓她覺得她生來便是為了舞蹈。她參加了芭蕾舞劇《紅菱豔》的演出，在劇中，她扮演那個穿上紅鞋一直舞蹈到死的舞女，她的演出獲得了業界的一致好評，她的演藝事業就此扶搖直上。之後，她結識了作曲家朱利安（馬留斯·戈爾林 Marius Goring 飾）並且迅速墜入了愛河。為了所愛的人，佩吉放棄了自己的事業，但婚後平靜的生活令她無法忍受，似乎總有一種魔力在召喚她穿上舞鞋翩然起舞。佩吉聽從了內心的召喚，她離開了朱利安重新回到了舞臺，但漸漸的，她想起了自己曾經扮演過的那個穿著紅鞋的舞女，她覺得她們的身影正在慢慢重疊，不安的佩吉猛然醒悟，自己生命中最重要的並非舞蹈而是家庭，她衝出劇院想要重拾朱利安的愛情，但一輛火車從天而降，終結了她年輕的生命。 影片榮獲1949年奧斯卡最佳配樂及最佳藝術指導獎。
演員：BengtEklund MimiNelson BertaHall
導演：英格瑪·伯格曼
劇情：波利特（尼內-克里斯汀·約恩松 Nine-Christine Jönsson 飾）是一個年輕的女人，長久以來，她都生活在抑鬱的情緒之中，並且有著很強烈的自殺傾向，這一切和波利特所擁有的的非常不幸福的童年有著分不開的關係。波利特和母親之間的關係非常的糟糕，最近，她找到了一份工作，這令她感到開心，可是如此一來，她就無法再住在學校的宿舍裡，這也就意味著，波利特必須重新和母親住到一起去。 朝夕相處很快就將母女兩人之間隱藏至深的矛盾給激發了，與此同時，波利特邂逅了一個名叫格艾斯塔（本特·埃克隆德 Bengt Eklund 飾）的男人，這個男人能否成為波利特的救命稻草呢？
演員：陳娟娟 白雲
導演：楊工良
劇情：礦業大王張百貴病重, 臨終前, 他希望能見兒子振華的未婚妻一面. 振華於是趕往酒店尋找未婚妻盧莎莉, 可是莎莉卻剛巧外出. 振華靈機一觸, 請求酒店女職員舒小玲冒充未婚妻, 以還老父心願. 怎知, 百貴自與小玲會面, 病情竟突然好轉. 小玲被迫繼續扮演振華的未婚妻, 而百貴更特地為小玲舉行了盛大宴會, 向賓客宣佈兒子與她的婚事. 宴會當晚, 小玲臨時缺席, 百貴往找小玲, 得知事情真相, 不但沒有怪責, 反而向友人宣佈小玲快要與振華結婚. 振華真正的未婚妻莎莉獲悉振華婚訊, 竟前來張家向百貴索取巨額賠償. 振華看穿莎莉的真面目後, 決意與她分手. 最後, 振華與小玲亦弄假成真, 雙雙墮入愛河.
演員：丹尼·凱耶 弗吉尼亞·梅奧 班尼·古德曼 湯米·多爾西 路易斯·阿姆斯特朗
導演：霍華德·霍克斯
劇情：這電影估計不會有多少人留意，因為單單看年代，1948年，就會直接忽略過去了。 別嫌這個電影譯名老套，要是喜歡爵士樂的朋友，這可是非常經典的電影，不信的話，你可以看看演員列表就知道了。 一位編纂音樂百科全書的教授，決定走訪民間收集現實生活音樂材料，遇上了想擺脫幫派男友的迷人爵士歌手，從此巧遇了一段美妙開懷的音樂與愛情體驗。 A Song is Born，1948重攝改編於Ball of Fire，承接了類似的故事架構，卻更純粹多彩。 全片集結了許多一時之選的爵士歌曲，例如女主角Honey Swanson以獨特嗓音演唱的DADDY-O，以及STEALIN' APPLES，FLYING HOME，I'M GETTIN' SENTIMENTAL OVER YOU還有MUSKRAT RAMBLE，隨興悅耳的旋律，都珍貴地隨著電影保存下來。 此片的多彩更表現在強大的卡司陣容。 Tommy Dorsey, Benny Goodman, Louis Armstrong, Lionel Hampton and Charlie Barnet.活躍於Big Band(大樂隊爵士)時代的著名人物，在這部電影裡齊聚一堂。1948年，是繼Big Band而起的搖擺爵士樂逐漸沒落的年代，這樣的齊聚一堂相當具有歷史意義! 而爵士樂的指標性人物Louis Armstrong，也在此片中飾演自己。 他沙啞富感情的嗓音也原汁原味的保留了下來。 從任何方面來看，此片都是絕對不能錯過的爵士經典!
演員：蘭貝託·馬喬拉尼 恩佐·斯泰奧拉 莉安拉·卡雷爾 吉諾·薩爾塔梅倫達 維托里奧·安東努奇
導演：維托里奧·德西卡
劇情：二戰過後，羅馬同許多城市一樣，充斥失業和貧困，人們常常為一個工作機會爭得頭破血流。已失業多時的裡奇（Lamberto Maggiorani）費勁千辛萬苦獲得一份海報張貼的工作後，卻為這份工作需要一輛自行車犯愁，為了以後的日子好過，他用妻子的嫁妝--床單從換回已經當掉的自行車，不想，他的自行車在上班第一天就被盜。裡奇同兒子布魯諾（Enzo Staiola）尋遍羅馬大街小巷，也沒能找到他賴以活命的自行車，眼見無指望的日子又要降臨，裡奇決定以牙還牙，可是他的運氣卻沒有別的小偷好。
演員：英格麗·褒曼 查爾斯·博耶 查爾斯·勞頓 路易斯·卡爾亨
導演：劉易斯·邁爾斯通
劇情：In winter of 1938, Paris is crowded with refugees from the Nazis, who live in the black shadows of night, trying to evade deportation. One such is Dr. Ravic, who practices medicine illegally and stalks his old Nazi enemy Haake with murder in mind. One rainy night, Ravic meets Joan Madou, a kept woman cast adrift by her lover's sudden death. Against Ravic's better judgement, they become involved in a doomed affair; matters come to a crisis on the day war is declared.
演員：珍妮弗·瓊斯 約瑟夫·科頓 埃塞爾·巴里摩爾
導演：威廉·迪亞特爾
劇情：艾本（約瑟夫·科頓 Joseph Cotten 飾）是一名畫家，靠著自己的勤奮和努力生存，然而，那個時代實在是太蕭條了，所以艾本始終活在瀕臨破產的邊緣。某日，畫家偶然中遇見了一位名為珍妮（珍妮弗·瓊斯 Jennifer Jones 飾）的女孩，艾本為珍妮畫了一張速寫，讓他沒有想到的是，這張速寫被畫廊老闆相中，並交代他再畫一些這樣的畫。 之後，艾本和珍妮斷斷續續的見著面，畫家以她為模特創作出了一幅又一幅作品，隨著時間的推移，艾本和珍妮之間漸漸產生了一種奇妙的羈絆。珍妮長大了，艾本所畫的一副珍妮的肖像油畫被博物館收藏了，他的生活亦漸漸得到了改善。可是，與此同時，珍妮卻消失了。
演員：卡雷爾·赫格 弗洛朗絲·瑪莉 Eduard Linkers 伊裡·普拉希 Natasa Tanská 弗蘭季塞克·什莫利克
導演：奧塔卡·瓦夫拉
劇情：Based on the novel by Karel Capek, the prominent Czech writer of the early 20th century who coined the word robot for his play R.U.R., the story revolves around a discovery of Krakatit - a powerful explosive - by Prokop, an experimental scientist who, following an accidental explosion in his lab, slips in and out of delirium. When he realises that, in a delirious period, he has given the formula for making Krakatit to one of his colleagues, he tries to find the man, who does not realize how dangerous a thing Krakatit is. In the process, he nearly gives his discovery away again to foreign interests, a group of anarchists, and even greater forces of darkness...
演員：理查德·貝斯哈特 斯科特·布蘭迪 羅伊·羅伯茨
導演：阿爾弗雷德·L·韋爾克 安東尼·曼
劇情：In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live.
演員：瓊·貝內特
導演：斯蒂夫·塞克利
劇情：John Muller, medical school dropout and brilliant crook, plans a holdup which goes a little bit wrong, and finds vindictive gambler Rocky Stansyck after him. At the end of his tether, he stumbles onto a lucky chance to assume an impenetrable new identity as psychiatrist Victor Bartok. But irony piles on as Muller finds it's out of the frying pan, into the fire.